In Florence’s Palazzo Strozzi, German king of spectacle Anselm Kiefer meets his match. His exceptional exhibition Fallen Angels begins in the vast colonnaded courtyard with archangel Michael, a huge dynamic figure with outstretched wings, swooping across an eight-metre translucent gold ground. Below, rebel angels plummet into Kiefer’s chaotic charcoal, shellac and fabric surfaces — our own dark material world, animated by the crowds thronging this inner square in the city centre.
在佛羅倫薩的斯特羅齊宮（Palazzo Strozzi），來自德國的奇觀之王安塞姆?基弗（Anselm Kiefer）遇到了對手。他非同凡響的展覽“墮落天使”(Fallen Angels)在列有廊柱的寬闊庭院中拉開帷幕：大天使米迦勒，一個龐大且富有動感的形象，伸展開雙翼，呼嘯掠過尺幅達八米的透金大地。在其下方，反叛的天使們墜落在基弗用木炭、清漆和織物匯制而成的參差畫面上——這是我們自己的黑暗世界，城市中心內廣場上的擁擠人群讓它顯得栩栩如生。
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